2 September – 6 November 2019
at Brantwood, home of John Ruskin 1872-1900
Created for Brantwood’s series of events celebrating the bicentenary of John Ruskin’s birth, and informed and inspired by ideas of contingency, chaos and order, surrender and control, Mills will exhibit mixed media works and a new multi-channel sound work..
Contextually anchored and process-driven, Mills’ work uses metaphorically charged materials and alchemic-like processes of slow and unknowable transformation. Shaped by evaporation, sedimentation, crystallisation and chemical reactions, they celebrate the weave of order and chaos, as diverse matter is either broken down into entropic confusion or necessarily arranges itself into a cohesive order.
Following Ruskin’s advocacy of close observation, ‘imagination by combination’ and ‘accidental association’, Mills creates works that, being analogous to the ceaseless flux of nature’s generative processes, mirror and explore many of Ruskin’s most significant ideas about the natural world: as matter, as force, as school, as metaphor for transformation, and as being profoundly political and economic. Using Brantwood itself as its source, Mills and Fearon’s new sound installation transforms Ruskin’s world into the sonic. In the spirit of Rimbaud’s synaesthesia, layered recordings made in the house, its surrounding landscape, and from above and within Coniston Water, augmented by melodic patterns derived from the prelude to Elgar’s ‘The Dream of
A limited edition 80 page full colour catalogue will also be available at the exhibition priced at £15.00 and can be ordered from Brantwood – Email: firstname.lastname@example.org or via this website.
There are also 25 signed copies at £25.00 each, which can also be purchased through this website from 1st September